ID | YEAR | TITLE | MEDIUM | PROVENANCE |
100.001 | 1890 | Woman With A Black Hat and Shall [Femme au Chapeau et a la Cape Noire] | lithograph | L'Estampe Originale |
103.001 | 1893 | Escargots d\'Omnibus | lithograph | La Escarmouche, 24 December 1893 |
103.002 | 1893 | Un-shampooing (self-portrait) | lithograph | l'Escarmouche, 1893 |
104.001 | 1894 | Milliners [Modistes] | lithograph | L'Estampe Originale |
104.002 | 1894 | Voyage de Noces (Honeymoon) | lithograph | La Escarmouche, 7 January 1894 |
105.001 | 1895 | Salon des Cent | lithograph | La Plume, January 1895 |
105.002 | 1895 | Aux Champs-Elysees | ink | Zimmerli Art Museum, Rutgers |
105.003 | 1895 | The Amateur | woodcut | L'Estampe Originale |
105.004 | 1895 | The Photographer | watercolor | L'Estampe Originale |
105.005 | 1895 | Blossoming Love on the Beach of Gray, France | oil | Private collection |
105.006 | 1895 | A Young Woman And Her Haircut | gouache | Artcurial Briest-Poulain-F. Tajan |
106.001 | 1896 | Les petites machines a ecrire | lithograph | Planche de l'Album des Peintres Graveurs edite par Vollard |
107.001 | 1897 | The Ass Carrying Relics [L\'âne portant des reliques] | lithograph | Private Collection |
107.102 | 1897 | La Cigale et la Fourmi | engraving | L'Estampe Originale |
107.003 | 1897 | Les protecteurs | engraving | Le Cri de Paris 28 February 1897 |
107.004 | 1897 | Decorum | ink | Louvre, Paris |
107.005 | 1897 | Expansion Coloniale | ink | L'Estampe Originale |
107.007 | 1897 | Promenade de l'enfant | oil | Private collection, circa 1897 |
107.006 | 1897 | Portrait d'Alfred Jarry | ink | L'Estampe Originale |
108.001 | 1898 | Le Papa de M. Judet | ink | La Feuille no. 13, June 1898 |
108.002 | 1898 | In Transvaal | ink | Le Cri de Paris |
108.003 | 1898 | A bas Zola | ink | Le Zola Proces, January 1898 |
108.004 | 1898 | Picquart In Jail | ink | Le Cri de Paris, February 1898 |
108.005 | 1898 | A Firing Squad | ink | Le Cri de Paris, 1898 |
108.006 | 1898 | Avec celui-la au moins on est tranquille | ink | Le Enquete Publique |
108.007 | 1898 | En Joue'...Faux | lithograph | La Feuille |
108.009 | 1898 | It Is Forbidden To Walk On The Grass [C\'est Defendu de Marcher dans L\'Herbe] | lithograph | Private Gallery |
108.010 | 1898 | M. Le Président | lithograph | La Lithographie Nouvelle |
108.011 | 1898 | Elégantes sur les Boulevards | lithograph | Cantor Arts Center at Standford University |
108.012 | 1898 | Nothing But Civil Strife | watercolor | Private Collection |
109.001 | 1899 | A Young Girl with Dolls and a Ribbon in Her Hair | ink | Hermann-Paul family collection |
109.002 | 1899 | Vous trouvez que c'est long? Mais on n'a pas encore eu le temps de trouver des preuves | ink | Le Figaro, 24 August 1899 |
109.003 | 1899 | Caricatures From Rennes | ink | Le Figaro, 9 September 1899 |
109.004 | 1899 | L'Innocent | ink | Le Figaro, September 1899 |
109.005 | 1899 | Le Captain Alfred Dreyfus | ink | La Semaine littéraire, 1899 |
109.006 | 1899 | Barbarie. Civilisation. | ink | Le Cri de Paris, 10 July 1899 |
109.007 | 1899 | Elégante au manteau rose | gouache | L'Estampe Originale circa 1899 |
109.008 | 1899 | L'Héritage | ink | Le Figaro |
109.009 | 1899 | Memoirs of a Proper Young Man [Les Mémoires d\'un jeune homme rangé ] | ink | A. Fayard |
110.001 | 1900 | Les Barrison | lithograph | L'Estampe Originale |
110.002 | 1900 | Canal In Venice | oil | Private collection, circa 1900 |
110.003 | 1900 | The Lovers. | oil | Galerie L'Ergastere, Paris |
110.004 | 1900 | Sur Les Boulevards | gouache | L'Estampe Originale |
110.005 | 1900 | At the Salon | watercolor | Fine Arts Museums of San Francisco |
111.000 | 1901 | The Augustinians | ink | Le Figaro |
111.001 | 1901 | Priest and Beggar | crayon | Private Collection |
113.001 | 1903 | Advertising Poster: Theatre du Peuple | lithograph | M. Henri Beaulieu |
113.002 | 1903 | Annees d\'Aventures | ink | Librairie Charpentier et Fasquelle |
114.001 | 1904 | A Woman Sewing | watercolor | L'Estampe Originale |
117.001 | 1907 | Capri | oil | Private collection |
117.002 | 1907 | Les Maitres Humoristes no. 9 | ink | Librairie Félix Juven |
118.001 | 1908 | Wilbur Wright a Auvours | lithograph | |
118.002 | 1908 | Les cheminots (The Railway Workers) | watercolor | Collection Victor Hugo |
118.003 | 1908 | La Vieille du Village | watercolor | Collection Victor Hugo |
119.001 | 1909 | The New Car | watercolor | Commercial gallery, circa 1909 |
119.002 | 1909 | l'inspiration française | watercolor | L'Estampe Originale |
120.001 | 1910 | The Waiting [L\'Attente] | ink | Private Collection |
124.001 | 1914 | Goodbye To The Marne | ink | La Victorie |
124.002 | 1914 | The Hostages | woodcut | Private Collection |
125.001 | 1915 | Conseils - Pendant la guerre | ink | Dorbonainé |
125.002 | 1915 | Le Faux Berger (The False Shepard) | ink | La Baïonnette, Issue #7 Issue #7 Leurs Espions, 19 August 1915 |
125.003 | 1915 | Chez Les Turcs | ink | La Baïonnette, Issue #2 Têtes de Turcs, 15 July 1915 |
125.004 | 1915 | Les 4 Saisons de la Kultur #1 | woodcut | Dorbonainé |
125.005 | 1915 | Les 4 Saisons de la Kultur #2 | woodcut | Dorbonainé |
125.006 | 1915 | Les 4 Saisons de la Kultur #3 | woodcut | Dorbonainé |
125.007 | 1915 | Les 4 Saisons de la Kultur #4 | woodcut | Dorbonainé |
125.008 | 1915 | Les 4 Saisons de la Kultur #5 | woodcut | Dorbonainé |
125.009 | 1915 | Les 4 Saisons de la Kultur #6 | woodcut | Dorbonainé |
125.010 | 1915 | A View of the Marne | watercolor | Private Collection |
126.001 | 1916 | Berger-le-vrault | ink | unknown |
126.002 | 1916 | L'Epouvantail | ink | La Baionnette n°70 du 2 Novembre 1916 |
126.003 | 1916 | Peace! | lithograph | Private Publication |
126.004 | 1916 | Calendrier de la Guerre | woodcut | Librarie Lutetia [A. Ciavarri, Directeur] |
126.005 | 1916 | Calendrier de la Guerre: August 1914 | woodcut | Librarie Lutetia [A. Ciavarri, Directeur] |
126.006 | 1916 | Calendrier de la Guerre: September 1914 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.007 | 1916 | Calendrier de la Guerre: October 1914 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.008 | 1916 | Calendrier de la Guerre: November 1914 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.009 | 1916 | Calendrier de la Guerre: December 1914 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.010 | 1916 | Calendrier de la Guerre: January 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.011 | 1916 | Calendrier de la Guerre: February 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.012 | 1916 | Calendrier de la Guerre: March 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.013 | 1916 | Calendrier de la Guerre: April 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.014 | 1916 | Calendrier de la Guerre: May 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.015 | 1916 | Calendrier de la Guerre: June 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.016 | 1916 | Calendrier de la Guerre: July 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.017 | 1916 | Calendrier de la Guerre: Folio Two | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
126.018 | 1916 | Calendrier de la Guerre: August 1915 | woodcut | Librarie Lutetia (A. Ciavarri, Directeur) |
127.001 | 1917 | Les Hymnes Allies | lithograph | Novel Essor |
127.002 | 1917 | La Tradition | woodcut | Librairie Lutetia, Paris |
129.100 | 1919 | L'Ange du Foyer | woodcut | L'Estampe Originale |
130.001 | 1920 | Femme Espagnole | woodcut | Private Collection |
130.002 | 1920 | La Guirlande | crayon | La Guirlande |
130.003 | 1920 | Self-portrait | oil | Private Collection |
130.004 | 1920 | Three Figures In A Bar | woodcut | Private Dealer |
131.001 | 1921 | Tercio de varas | woodcut | L'Estampe Originale |
131.002 | 1921 | Matador | woodcut | From the series Gardians et taureaux |
131.003 | 1921 | Le Gardian | woodcut | From the series Gardians et taureaux |
131.004 | 1921 | From The Genesis | woodcut | Leon Pichon (resold by Kline Bookseller) |
132.001 | 1922 | Les Lais, le Testament et les Poées diverses | ink | Léon Pichon |
133.001 | 1923 | The Tomb of Lord Byron | ink | L'Estampe Originale |
133.002 | 1923 | Aprés Dîner | oil | Commercial gallery, circa 1920 |
134.001 | 1924 | La croix de Camargue | ink | Private commission |
134.002 | 1924 | Carmague Horseman | oil | Commercial gallery, circa 1920 |
134.003 | 1924 | Carmague Woman with Child | oil | Commercial gallery, circa 1920 |
135.001 | 1925 | Portrait de femme" | oil | Private collection |
136.001 | 1926 | Quatre Frimousses #1 | woodcut | Leon Pinchon |
136.002 | 1926 | Quatre Frimousses #2 | woodcut | Leon Pinchon |
136.003 | 1926 | Quatre Frimousses #3 | woodcut | Leon Pinchon |
136.004 | 1926 | Quatre Frimousses #4 | woodcut | Leon Pinchon |
136.005 | 1926 | Mitsou, ou Comment l\'esprit vient aux filles | ink | Arthème Fayard & Cie, Paris |
137.001 | 1927 | Carmen | woodcut | L'Estampe Originale |
137.002 | 1927 | Quatro evangelios en uno I | woodcut | Léon Pichon |
137.003 | 1927 | Quatro evangelios en uno II | woodcut | Léon Pichon |
137.004 | 1927 | Quatro evangelios en uno III | woodcut | Léon Pichon |
137.005 | 1927 | Quatro evangelios en uno IV | woodcut | Léon Pichon |
137.006 | 1927 | Quatro evangelios en uno V | woodcut | Léon Pichon |
137.007 | 1927 | The Last Drawing [Le Dernier Dessin] | woodcut | Geoffrey Holme |
137.008 | 1927 | The Broken Jug [Le Pot Casse] | woodcut | Private Collection |
137.009 | 1927 | Les Transatlantiques | ink | Albin Michel |
138.001 | 1928 | Le Calvaire | ink | Paul Ollendorff |
139.001 | 1929 | Le génie et les fumisteries du divin | ink | Nouvelle Société édition |
140.001 | 1930 | At The Gallery | woodcut | Private Collection |
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